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DEAR MOTHER,—I am thrilling with unhappyness this morning. I got that out of a book called Cora The Doctor's Wife. Cora's husband's mother was very cross and unfeeling to her like Aunt M. to me. I wish Hannah had come instead of me for it was Hannah that Aunt M. wanted and she is better than I am and does not answer back so quick. Are there any peaces of my buff calico. Aunt J. wants enough to make a new waste, button behind, so I wont look so outlandish. The stiles are quite pretty in Riverboro and those at Meeting quite ellergant, more so than in Temperance.

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时间:2020-10-01 08:36:16 作者:今日零点北京石景山万达影城复工后首场放映 90张电影票几近售罄 浏览量:64779

In times of joy Salemina, Francesca, and I occasionally have our trifling differences of opinion, but in hours of affliction we are as one flesh. An all-wise Providence sent us Jane Grieve for fear that we should be too happy in Pettybaw. Plans made in heaven for the discipline of sinful human flesh are always successful, and this was no exception.

"I am not so very tired, Mamma. I have felt well all day; not a bit of pain anywhere. Perhaps this has done me good."

This, then, was the personage whose moral rehabilitation was to be accomplished by the Daughters of Zion. But how?

"What is going on there?" he asked. "What are you mumbling about, Edouard Vicentevitch? Tell me what is the matter? Is it my daughter?"

"No tombstones, either; there's a family graveyard and the monument's built."

1."Softly, young one, softly!" a mahout in his full prime made swift answer. "Truly it is well the young are not permitted to use that untamed strength in speech, which is best governed by the waste of sinew!"

2.

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'No, sir.'

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Rebecca Rowena Randall, the little niece of the brick-house ladies, and at present sojourning there for purposes of board, lodging, education, and incidentally such discipline and chastening as might ultimately produce moral excellence,—Rebecca Randall had a passion for the rhyme and rhythm of poetry. From her earliest childhood words had always been to her what dolls and toys are to other children, and now at twelve she amused herself with phrases and sentences and images as her schoolmates played with the pieces of their dissected puzzles. If the heroine of a story took a “cursory glance” about her “apartment,” Rebecca would shortly ask her Aunt Jane to take a “cursory glance” at her oversewing or hemming; if the villain “aided and abetted” someone in committing a crime, she would before long request the pleasure of “aiding and abetting” in dishwashing or bedmaking. Sometimes she used the borrowed phrases unconsciously; sometimes she brought them into the conversation with an intense sense of pleasure in their harmony or appropriateness; for a beautiful word or sentence had the same effect upon her imagination as a fragrant nosegay, a strain of music, or a brilliant sunset.

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No animal, as you might think,

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